In Two Horizons, Saman and Sasan Oskouei turn their gaze toward the landscapes that shaped their childhood. The paintings emerge from recollections of the mountains surrounding Tabriz, where they were born and raised. These works do not simply depict a place; rather, they evoke its afterimage—tracing the contours of personal and collective histories, where time and memory fold into abstract landscapes that shift and shimmer before the viewer.

The sculptures draw inspiration from the red soil of Hormoz Island, whose vivid color speaks to both the beauty and the weight of homeland. Material becomes a carrier of memory, shaped into forms that feel at once organic and enduring, as if holding within them the quiet persistence of place.

Together, these works explore resilience, memory, and the passage of time through the language of landscape. Two Horizons reflects on how place informs identity, tracing the subtle and often elusive line between memory, nature, and belonging.